HoST Fall 2011 Week of 9/6–9/8 |
Back to HoST Fall 2011 Syllabus Email me: host@mifami.org |
Assignment 1
Enuma Elish
Updated: 10/13/11 4:50 PM
Remember
to REFRESH.
Notice
in Fig. 4 (above on the right) the arrangement of the various levels and the
serpent, the crescent moon, and what appear to be stars above the buildings.
Can
you speculate on who and what is being shown in these levels using the Enuma elish
as a guide?
Any of you having
trouble opening the PDFs, here are a couple of ideas. Try right-clicking them and downloading them to your hard
drive. Then open them with your
Adobe Reader. Or you might need to
upgrade your Adobe Reader. Here is
a link. AdobeReader. Write me if you are having problems and I'll
figure something out.
UPDATE: It seems that
many of the PDF problems are related to browsers. Chrome appears to be problematic. So if you have a problem with a PDF, try another browser.
That may solve it.
For Tuesday: (You have about 4 days to get this
done, so start as soon as you can.)
The following readings are from
and about the Enuma
elish, the Babylonian creation story [the Babylonian "Genesis,"
if you will]. The Enuma elish
(ÒWhen aboveÓ) was composed sometime bet. 1500 and 2000 BC. (Probably in 1st
Babylonian Dynasty 1895-1595 BC and quite likely during Hammurabi 1792-1750
BC.)
IÕm giving you 2 short overviews
by 2 different authors/editors/translators: Bulliet (et al.) and Jacobsen. Each
author has his own set of important ideas and each has his own way of referring
to the characters. This makes things very confusing if you donÕt take
notes. For example, Nudimmut = Ea = Enki
depending on the reading. I suggest you pay attention to footnotes and keep
track of names and relationships as you read. This will save you time in the long run. The story is about gods, heroes,
chaoses, primal forces and people and the relationships between them all. How
do these differ from the Judeo-Christian-Islamic ÒGODÓ? Might they be called something else
rather than such a loaded term as "god?"
1-Read pp. 167-183 and
190-191 in Jacobsen_Treasures_of_Darkness-Enuma_elish_excerpt-4.6MB.pdf. I suggest you take notes on the cosmic
layout as you read this. The indented parts are quotations from the Enuma elish
and the rest is Jacobsen's interpretation and commentary, which is very useful
for understanding of this story. ca. 18pp
2-Read this very brief description of the
celebration of Marduk from Bulliet, et al.: Bulliet_EnumaMarduk-629KB.pdf. This is very, very sketchy, but
interesting. It describes the
battle nicely, however it has little to say on the genealogy. 2pp
3-Homework- Write and Draw: Everybody has to do this
"homework' assignment. Please illustrate an episode from the Enuma Elish. First choose an episode using the
readings provided above. Then find
your episode in the translation done by Alexander Heidel in this PDF - EnumaElishHeidelTrans100dpiExcerpt-3.7MB.pdf.
[Some people are having trouble downloading this. Here is another bigger version of the Heidel
translation. Maybe it will
download better.??? EnumaElishHeidelTrans120dpiExcerpt-7.1MB.pdf] The translation is contained on pages
18-60. Notice if there are any
differences between your sources. Use the Heidel translation to help you
illustrate your section.
[Suggestion: Use the translation for some comic-book-style captions to
your illustrations, or thought bubbles, or dialogue bubbles. Also feel free to ad lib your own
dialogues or descriptions.] Make
it clear where you are getting the quotes from in the Heidel translation by
giving the page number, tablet number, and line number. Come up with a system
to give this information and describe this system so that I can understand what
and where you mean. You may do the illustrations any way you wish. They may be
photographs or drawings or collages or ink blots. They may be arranged like a comic book or one giant poster
or they may be organized differently depending on how you want to do this. It
is up to you. The final product
can be a PDF, a jpeg, a word.doc, a website or a physical thing on paper. Whatever. But they must have text helping the viewer/reader understand
what is happening. Create an illustrated version that you could hand to your
grandmother and she could figure it out.
You should write up an introductory paragraph to lead into your episode
and intersperse commentary here and there describing what is going on. Then
write up a final paragraph leading out of your episode with some pithy
commentary. Feel free to update the story or make it historically accurate or
set it in the future and make it into a science fiction story É or a western or
a kung-fu scriptÉ Have fun with it. ItÕs a weird story, so donÕt hesitate to be weird. You will
notice that the various versions we read donÕt even agree on all details so you
have some wiggle room for interpretation.
Here are the bullet points for
this homework assignment:
1.
Choose a section of the story from the Jacobsen translation and/or the Bulliet
reading[s].
2.
Find your chosen section in the Heidel translation linked above.
3.
Write a paragraph or two setting up your section of the story. Explain anything weird that you might be
doing so that the reader can follow your comic.
4.
Create a comic-book-like interpretation of the section you have chosen.
5.
Use the Heidel translation for captions, dialogue, or thought bubbles and cite
the Heidel by giving page number, tablet number, and line number. It could look like this: "Heidel,
p45, tablet III, line 6."
Feel free to modify the Heidel translation to suit your purposes. So if you are making this into a
Kung-Fu version, you could give Marduk nunchuks made from lightning bolts or
something like that and modify the Heidel quotations to fit this scenario.
6.
Write a closing paragraph that both closes your sequence and discusses what
your scene might mean in the larger scheme of the creation of the
universe. For example, you might
mention how salt water and fresh water mingle where the Mesopotamian rivers
meet the sea and how this reflects the reality of the people writing this
story... or you could mention how humans are created to be subservient to the
gods and how this might reflect Mesopotamian society of this period.... There
are no wrong interpretations. You
are trying to figure out what this proto-cosmological text is about. It's really weird. It's an early attempt at explaining why
the world is the way it is. Most
of us still don't know why the world is the way it is. So feel free to speculate heavily.
Remember, if it was boring to do
it will be really boring for me to grade. I donÕt like being bored. So give yourself enough time to do a
good job on this. Presentation is
important. Make this look
nice. If you send it to me as an
email attachment, please try to keep it below 10 MB.
For Wednesday: Read McClellan Dorn (the textbook) pp.
31-42 on early civilizations.
If you still don't have this book, here is a PDF that contains
these pages from an older edition. McClellan%26Dorn-31-55.pdf
[2.8MB]
For Thursday: Read McClellan Dorn (the textbook) pp.
46-54 on writing, reckoning, and time-keeping. [If you use the PDF from above the pages are pp. 45-54.]
Citations for the assigned readings:
Bulliet, Richard W., Pamela Kyle
Crossley, Daniel R. Headrick, Steven W. Hirsch, Lyman L. Johnson, and David
Northrup. The
Earth and Its Peoples : A Global History. 3rd ed. Boston: Houghton Mifflin,
2005.
Heidel, Alexander. The Babylonian
Genesis; the Story of the Creation. 2d ed. Chicago,: University of Chicago
Press, 1963.
Jacobsen, Thorkild. The Treasures of
Darkness : A History of Mesopotamian Religion. New Haven: Yale University
Press, 1976.
McClellan, James E., and Harold Dorn. Science and Technology in World History : An Introduction. Baltimore, Md.: The Johns Hopkins University Press, 2006.
I am putting up an essay assignment
that you could choose to do in addition to the regular assignment (not
instead of the regular assignment).
If you think you want to do it, just read the essay descriptions in the Class Policies–
HoST– Fall – 2011 and email me if you have any questions.
Essay Options: Because there is a rather big homework assignment for this
week, I doubt anyone will choose to do an essay. But if anyone really wants to do it, feel free. However, I'm
not putting up any specific instructions for these. Next week I'll give more explicit instructions for the essay
options. Talk to me or email me if
you really want to do this essay and I can help you figure out what to do with
it. See the class policies page
for instructions on length and format.
The "short essay" only
needs to incorporate this week's readings. If you wanted to, you could also incorporate earlier
assignments, outside readings, or the following extra materials.
If you want to do a "long
essay," here are some additional sources that can be used. If you are
interested in any of this stuff, write up an essay that incorporates this with
the general assignment.
- Heidel, Alexander. The Babylonian
Genesis; the Story of the Creation. 2d ed. Chicago,: University of Chicago
Press, 1963. The following pages
are from HeidelÕs commentary found in this PDF: Heidel_ChIII-OldTestamentParallels100med-5.2MB.pdf. [All figures referred to in the text
are at the end of this PDF. You probably already downloaded this PDF in section
#5 of the readings.]
-pp. 114-130: The Creation of
the Firmament to the Creation and Fall of Man. Structural similarities and
theories of origin.
-pp. 139-140: Concluding
Remarks. [We are all reading this in class, but it makes more sense if you read
pp. 114-30 before it.]
and/or
-Beaulieu, Paul-Alain. "The
Babylonian Man in the Moon." Journal of Cuneiform Studies 51 (1999): 91-99. Beaulieu_BabylonianManInTheMoon.pdf
and/or
-Jacobsen, Thorkild. "The
Battle between Marduk and Tiamat." Journal of the American Oriental Society 88,
no. 1 (1968): 104-108. Jacobsen_BattleMardukTiamat.pdf
Back
to HoST Fall 2011
Syllabus
Email
me: host@mifami.org
Stuff
to look at and ponder...
Optional cosmology of interest.
The Man in the Moon....
Above: This is
a depiction of the moon from a Babylonian astrological/astronomical
tablet. A divine hero-king on the
left, likely Marduk or a similar deity, is seen locked in combat with the
forces of chaos, seen here as a lion-dragon, possibly Tiamat or basmu [Tablet
I.141], one of TiamatÕs offspring. Notice how the lion-dragon-serpent is in the
shape of a crescent moon. This may reflect the Babylonian poetic tradition that
lunar eclipses were caused by celestial demons attacking the moon.
Below: Weidner
(a Mesopotamian scholar) has proposed that this image [VAT 7851] is a literal
drawing of what people thought they could see in the moon. I have superimposed the drawing onto a
photograph of the moon and made the parts line up with his theory. I canÕt say that I see what he thinks
the ancient MesopotamianÕs saw.
The last (low resolution) image is probably a truer image of what they
would have seen before telescopes.
[To be perfectly honest, I sort of see the scene in reverse as shown in
the 4th image that follows.]
I
sort of see it if the drawing is inverted with MardukÕs
sword
held high and and ready to strike.
Questions:
Where
is the top of the moon?
Does
the moon ever perceptibly change?
Perhaps
the image in the moon is found in light areas, not dark ones?
Am I being
too literal?
What
do you see in the clouds?
Puppy
dogs? Flowers? Demons?
Perhaps
weÕll do some Freud later in the term and see what it all means.
Back
to HoST Fall 2011
Syllabus
Email me: host@mifami.org
In the News....
–If
you run across an interesting story, let me know–
This
one is about DNA sequencing of the bubonic plague.
Wade-HuntingforMassKillerinMedievalGraveyards.pdf
[386 MB]
Review Materials- 1-EnumaElish-Babel-Rosetta-ClassEnuma.pdf
[11.6 MB]
This may be way more than you
want.
secret pagefunnyRevies
R